Commissions

How I approach commission requests, artistic collaboration, pricing, and more!

Depending on my availability, I would love to work on a commission with you! It always starts with an idea—a topic you’d love to see illustrated, a personal story you want commemorated in print. Whatever your goal, I’ll do my best to help you bring it to life in one-of-a-kind handprinted artwork.

The process

Every project is different. While I’ll always try to reach your milestones (e.g. gifts for birthdays and holidays), an end-to-end commission can take anywhere from one to three months. Please reach out sooner rather than later!

Interview and idea sharing

Yay, information sharing! What you’re looking for, your ideas, detail requests, my questions, and eventually, a mutually agreed-upon direction.

Illustration approval

Once we agree on an idea, I’ll proceed with a pencil drawing proof. I can make minor changes, but rarely wholesale revisions. Approve the illustration and I’ll begin carving the piece.

Carving and final print delivery

After I’ve finished carving the lino block, I’ll print a test and send a photo. I can’t make changes to a completed piece (see note below)! Finally, I’ll ship it your way :)

What is relief printmaking & linocut?

Here’s how MoMA defines linocut:

“A relief printmaking technique, also called linocut, that is usually characterized by flat, clearly delineated areas of color. An image is cut or gouged from a sheet of linoleum, which is softer and easier to carve than wood. The surface is inked and paper laid on top, with printing accomplished either by rubbing manually with a spoon or similar tool, or on a printing press.”

The tools you see in the picture are micro u- and v-gouges that I use to carve the block, in this case gomuban, a Japanese vinyl. My style is maximalism, small format, and often black and white. Every print is the result of weeks of physical labor, but I love it.

NOTE: I am a relief printmaker, not a digital artist. It’s what I love about this work—it’s manual and immersive. But it does mean that everything you see in a proof will be carved. As such, illustration approval is final. As you can see, the final print has a graphic look with negative & positive space (in contrast to the pencil drawing), which is what you can expect. Carving isn’t an exact science, details can vary a bit and that’s the charm. Also, sometimes I make mistakes, but I usually find a way to make a print work.

Pricing

The pricing of an original, commissioned print is based on a range of factors. I work with clients to offer transparency in my approach and fair pricing for my time and materials. Read more to find out how I build pricing around original work.

Want to work on a commission together?